Saturday, 28 June 2008

EURODAM In-Blog-Ural
by Peter Knego

Holland America Line

EURODAM News Blog

EURODAM Deck by Deck Tour -- new MaritimeMatters Decked! Blogspot

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Peter Knego Videos Link: ON THE ROAD TO ALANG and THE WORLD's PASSENGER FLEET, Volume Nine

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Geoff Edwards' Avid Cruiser Blog

Note: Click on images to view larger versions. All photos by and copyright Peter Knego 2008 unless otherwise noted.

Prelude: June 27 -- 28, 2008

I'm in Southampton at the glamorous Ibis Hotel, preparing for the week ahead on board Holland America Line's spanking new MV EURODAM, the first of the "Signature" series of vessels (an enhanced "Vista class) to be completed by the Marghera, Italy-based shipyard of Fincantieri.

I arrived yesterday a bit bleary from the overnight flight to Heathrow from Los Angeles and a crankily cramped coach ride from the grimness of LHR to Southampton.


Tea with Daphne.

The gloomy day immediately brightened when lovely, spry Daphne Cox (an avid MaritimeMatters reader -- for good reason) came to visit me for tea at a restaurant near the Ibis. It was my first meeting with the darling lady, mother to MaritimeMatter's "founding father", Martin Cox.


A carpark first glance: MV EURODAM.

Although tempted to get some rest, I decided a walk to Mayflower Park was more pressing, so donned some gear and strolled down the waterfront to see what was going on in the harbor I dreamt of as a teen age liner buff in the 70s. My first glance of EURODAM was from behind a casino car park, where her vertical superstructure towered well above the immediate surroundings. The familiar crane-scape spanned from her twin funneled frame down to the equally girthsome NORWEGIAN JADE (subject of a recent blog) at the Mayflower terminus.


EUROStern.

Once in the park, there was a gaggle of photographers, a few of whom witnessed the arrival of EURODAM that morning. Apparently, the new ship entered Southampton with no fanfare, although I assured those in earshot that much fanfare was to come, albeit probably not in the Solent.


NORWEGIAN JADE and EURODAM at Southampton.


NORWEGIAN JADE departs.

NORWEGIAN JADE cast her lines at 5:00 and podded away from the concrete quayside with the ease of a hovering spaceship, then sailed forward past EURODAM to make one of the slowest, seemingly tenuous turnarounds I have ever witnessed, to finally pod past the Hythe Ferry Terminal some forty minutes later. On the way, the NORWEGIAN JADE saluted the EURODAM but did not receive a reply (thanks, Patsy!).


Southampton's Maritime Museum.

I walked past the shuttered Maritime Museum (it closed at 4:00), then into a Boots for a packaged sandwich and some crisps before heading back to my room for a very long night of rest.

June 28, 2008


Welcome at Southampton.


Cruise documents.


Southampton balloons.

It was a short cab ride from the Ibis to the terminal where EURODAM awaited. Southampton was having a rather busy day with RCI's INDEPENDENCE OF THE SEAS at the Mayflower terminal behind EURODAM, Princess' SEA PRINCESS up river and her sister, P&O's OCEANA (ex OCEAN PRINCESS) downriver at the Eastern Docks.

Beyond a canopy of blue and white balloons, hundreds of travel agents mulled about, awaiting their call to board the ship. Once past the gangway, I was led by a friendly crew member to my Deluxe Verandah Stateroom, 8177, at the very stern of the ship on Deck 8/Navigation Deck.


Cabin 8177, facing aft.

On EURODAM, the overall look of the staterooms represents a departure from the tried and true floral motifs and polychromatic, saturated color schemes by longstanding HAL architect and designer, Frans Dingemans of Utrecht-based VFD. Seattle-based design firm NB is responsible for the pleasing, contemporary look, featuring walnut veneered surfaces, beige and chocolate soft fittings and an occasional splash of brightness, in the case of my 200 square foot cabin, an orange chair and a magenta floral arrangement.


Cabin 8177 balcony.

8177's 54 square foot balcony featured two chairs, an ottoman and a cocktail table with plenty of room to spare.


From EURODAM's Cabin 8177 balcony at Southampton.

I had a nice view of INDEPENDENCE OF THE SEAS and, further east, the OCEANA.


Elemis amenities.

The bathroom had a small tub and shower combo with an unmarked faucet control that was so simple, it took nearly twenty minutes for me to figure out (turn on the shower or bath by rotating the one on the left and adjust the temperature with the knob on the right). A nice plus in all HAL cabins are the Elemis toiletries (bath gel, shampoo, conditioner, and moisturizer), which if not completely used by the guest are collected and given to charity at the end of the cruise.

I spent all morning and most of the afternoon documenting EURODAM, covering most of her length and towering height. A complete ship tour can be found in the accompanying EURODAM Decked! blog.

While a good deal of the vessel seemed familiar from the earlier Vista series (ZUIDERDAM, OOSTERDAM, WESTERDAM, and NOORDAM), it was nice to see some dynamic new spaces (Silk Den, Tamarind Restaurant, the Sanctuary, Explorations Cafe) and established venues (The Crow’s Nest, the Lido, Slices, the midships pool) with an entirely new look, courtesy of Norwegian architects Yran and Storbraaten. I did manage to squeeze in a slightly gluttonous bite in the Lido (huge salad, basmati rice with fresh fish, spaghetti marinara, and the obligatory cookies)


Marchwood Incinerator, Southampton

At 4:00 PM, EURODAM was cleared to sail. From the vantage of my verandah, and, later, the Promenade Deck, the conditions were perfect with clusters of hovering cumulus in an otherwise brilliant blue sky. Captain Jeroen van Donselaar is one of the most whistle-happy masters I have had the pleasure of sailing with, giving my video camera ample opportunity to capture the ship’s throaty blasts as she maneuvered up the Solent, past the relatively diminutive 77,000 gt SEA PRINCESS to the turning basin, swinging her stern around by the domed Marchwood Incinerator (where the cruise ship trash is doomed -- thanks to Patricia Dempsey for the info on that!) and an anchored armada of sailboats.


INDEPENDENCE OF THE SEAS at Southampton.


SS SHIELDHALL at Southampton.


P&O's MV OCEANA (ex OCEAN PRINCESS) at Southampton.


Red Funnel ferry returneth.


Leaving Southampton behind.

With just over 300 pre-"Prelude Cruise" guests on board, EURODAM slid silently past RCI’s mammoth INDEPENDENCE OF THE SEAS and throngs of ship spotters in Mayflower Park, central Southampton, the Hythe Ferry terminal, the preserved SS SHIELDHALL, P&O’s OCEANA, and, later, off Portsmouth, an incoming Red Funnel ferry from the Isle of Wight.


Holland America Line CEO Stein Kruse presents EURODAM.

Two press conferences preempted sightseeing just as we entered the channel between Portsmouth and the Isle Of Wight. I first joined the media group in the Queen’s Room/Culinary Arts Theater where HAL's CEO Stein Kruse, Executive VP (Marketing, Sales and Guest Programs) Rick Meadows and VP (Public Relations) Rose Abello introduced the ship and her myriad amenities. I was able to ask if there will only be one Signature Class sister to EURODAM (there are no orders for more as of yet) and if HAL will convert its existing four Vistas into Signature ships over time (the second part of the question remains nebulous for now). Another, larger, presentation followed in the vast Mainstage Theater.


Gym, facing starboard.

A much needed workout in the extremely well-equipped gym followed, with impressive views from the ellipticals as EURODAM ventured on an easterly (and, ultimately northeasterly) course for Rotterdam.


The Tamarind, facing forward from port.


Tamarind sushi and sashimi appetizer.


Tamarind main course: Szechuan Shrimp with Thai Basil.

We were assigned dinner in the new pan Asian Restaurant, The Tamarind, where Master Chef Rudy Sodamin's set menu was limited to just one well-received sea food or meat (wasabi soy encrusted beef tenderloin) main course for our media gathering.


Explorations, facing aft.

Following dinner, I joined some friends for a romp around the ship, ending the evening in Explorations for a quick look at my e-mail before shuffling off to cabin 8177 where that amazing Signature of Excellence bedding helped lull me into a brief but deep sleep.

June 29, 2008

Unfortunately, jet lag trumped the comfort of my bedding and had me up at 6:30, pacing about with cameras as EURODAM approached the Dutch lowlands. The early morning sun was doing its best to break through the gelatinous haze, beaming a few golden slivers off the port bow. On the starboard side, like a green pancake, lay Voorne (with the industrial skyline of Europort beyond) while on the port side, a long jetty extended from Hoek van Holland, a town fronted by a wide beach stretching northward.


Where the hull? P&O's MV PRIDE OF HULL at Rotterdam.


Elbows versus lenses on the Abel Tasman.

As we entered the mouth of the River Maas, the superstructure-heavy P&O ferry PRIDE OF HULL was gaining on us, ultimately turning into Europort. Meanwhile, Captain Van Donselaar was giving Cruella de Ville a run for her money as he sounded the whistle to throngs of onlookers gathered on either side of the ship. Various small craft and the Jules Verne-ish Spido boat ABEL TASMAN were chock-a-blok with people who had come out to greet EURODAM on her maiden arrival.


Breakfast on bed.

I'm not normally keen on room service breakfast, finding the menus on most ships rather limited and the food, when delivered, tepid. Not at all so on EURODAM! It arrived, as requested, spot on at 8:30. My two "over easies" were piping hot, the mueseli just magnifico, and the fruit both fresh and flavorful. The English muffins were butter-melting and the crispy, golden hash browns too tempting to ignore. It all came with a sweet little vase of flowers and HAL's beautifully polished silver and fine china making it look almost as nice as it tasted. Even the coffee was good enough to sustain me until I could get a fresh cappuccino at Explorations. I felt a little guilty not savoring the feast but had to keep the break quick in order to get back up top for more waving and whistling.


Maiden sailing up the Maas.

From the mouth of the Maas to central Rotterdam, there were thousands of people out to greet us, some in cars strategically readied to move upriver as the ship passed. Jetties, marinas, balconies and waterfront parks were filled with spectators. Soon, the Euromast and Erasmus Bridge dominated the skyline, all rather surreal for this first-time visitor who had only seen such sights in the background of photos of Holland America Line ships. In the meantime, honking horns, whistles and small craft salutes were heeded with the chatty EURODAM's rumbling response.


Raymond Phillip's official EUROwave!

Erik Elvejord and Raymond Phillips at HAL were very simpatico to my request to be on the bow for part of our arrival, allowing me access through the temporary "War Room" set up in the crew lounge on forward Deck 4 where some 57 inaugural and christening events were being staged for 35,000 guests and visitors between the Southampton call, four days quayside at Rotterdam and the three night "Prelude" cruise leading to the official maiden voyage from Copenhagen on July 5.


EURObell to Euromast.

From the vicinity of the ship's shiny brass bell, it was a marvel to watch as she spun around in the basin to back nearly two miles into the Wilhelminakade passenger terminal, where HAL's first sailing to New York took place in 1873.


Backing toward the Wilhelminakade.


Going with the flow at Rotterdam.


Greeters line the Wilhelminakade.

From the fo'c'sle, I raced back into passenger territory and up to midships Deck 12 for views of the fireboat spray between the ship's stern and the Erasmus Bridge. Like a perpetual champagne burst, the "Eau de Maas" flowed skyward until we were alongside the terminal.


Hey Huys [ye olde Dutch spelling for "Het Huis" ("The House")] on gate post.


Huis ten Donck.

Shortly after our 11:00 AM arrival, we joined a tour to Huis ten Donck, a private mansion near Rotterdam owned by a family with ties to the Dutch Royals. Enroute, we saw some of the sights of the city of 600,000 residents. Once at the home, we were offered champagne, canapes and a chance to wander the Manor. The interesting tour is not open to the general public but is available for special group charters.


Huis ten Donck ceiling.


Toasting from the back garden.

Construction on the Louis XV style house began in 1746 and it was thoroughly restored in 1967. It has three floors and is a protected national monument. The surrounding lands are overseen by a nature conservancy.


Our Spido awaits.


Spido interior, facing forward.

It was a short ride to the Spido (pronounced "speedo") boat JAMES COOK, which outwardly resembles a symmetrical stapler. These interesting craft apparently come in different shapes, the lower decks surrounded in floor to ceiling glass panels through which tourists can enjoy the passing scenery. We were served a surf and turf lunch with a shrimp and smoked fish starter, followed by a steak. Not such a great "surfer" and unwilling to "turf", I made do with the accompanying asparagus and a couple of potatoes as the COOK navigated the waterways of the Maas, Europort and Rotterdam.


EURODAM at Rotterdam.


EURODAM at Rotterdam, ctd.


Onlookers at Rotterdam.

As we neared the Erasmus Bridge, I dropped the dessert spoon and headed up top to get some misty shots of the EURODAM. Moment later, the JAMES COOK pulled alongside the Hotel New York (the historic former Holland America Line offices) at the Wilhelminakade, where we disembarked. We then queued up to reboard EURODAM in time for her "scenic cruise" for a capacity crowd of local travel agents and VIPs along the Maas and out to sea, returning at 3:00 AM the following day.

There was a formal dinner in the Pinnacle Grill with the media group at 8:00, again with a fixed menu featuring surf and turf appetizers and entrees. Feeling overtly old-fashioned and vaguely vegetarian, I opted out of the menu offerings and requested a caesar salad as a prelude to an absolutely delicious eggplant parmesan main course.

The EURODAM was filled to capacity with the evening's special guests. I joined my new Hamburg-based friend, Oliver Muller, in the Crow's Nest where we mused about all things "ship", from the EURODAM to Alang. Finally, at 1:30, as EURODAM returned from her brief spin in the North Sea, we called it a night.

June 30, 2008


Hotel New York.


One of several NIEUW AMSTERDAMs at Hotel New York.

Instead of taking a tour to the Hague and the Delft factory, I opted to sleep in and get caught up on some work.

I arose at 10:00 AM, once again feeling rested, and ordered a cheese omelete, which arrived moments later. After joining Oliver in Explorations for a cappuccino overlooking the River Maas, we headed to the Hotel New York where the spirit of NIEUW AMSTERDAM (1938) hovers over bars and counters and in images throughout the building. One can only wonder what might have been if the dowager liner was spared the scrappers in 1974.


Bas-reliefs from SS NIEUW AMSTERDAM at the HAL offices in Rotterdam.

HAL was kind enough to provide attending media with a fully-equipped press room in its local offices, adjacent to the terminal. The office is filled with wonderful HAL memorabilia, including a pair of Deco bas-reliefs from the NIEUW AMSTERDAM.


EURehearsal at Rotterdam.


MYLIN IV at Rotterdam.

With everyone else on tour, Oliver and I were the only two writers to indulge HAL's generosity that morning and set up our computers with a view over the EURODAM and the rehearsals for the next day's christening. The modern office has a wonderful vantage over both sides of the Wilhelminakade, including the slip where Carnival CEO Mickey Arison's yacht, MYLIN IV, was berthed.


Blogging over the Maas.

Once 145 photos were sized, uploaded and captioned, it was time to put the laptop away and get something to eat. We returned to the ship, which was inundated with Dutch visitors, including Klaas Krijnen and his wife Marian. Klaas is the man largely responsible for the campaign that saved the 1959-built SS ROTTERDAM from the scrappers. Currently undergoing restoration in Wilhelmshaven, Germany, she is to return to Rotterdam as a floating hotel and convention center later this year.

Only Slices was open, so we grabbed a couple pieces of pizza before disembarking to cross the Erasmus Bridge and take some photos of the ship from across the river. We were not the only people out on the Maas to photograph EURODAM. It seems half of Rotterdam was taking advantage of the brilliant sun on her starboard side to do the same.


MV EURODAM at Rotterdam.


MV EURODAM at Rotterdam.

On the other side of the river, we ran into Klaas and Marian again and enjoyed a quick coffee before returning to the ship via a water taxi to the Hotel New York. Even the water taxi was full of camera-wielding Dutchmen, so there was no chance to get unencumbered photos as we sped across the river.


Pasta in Canaletto.

Because of all the special events on board and with most actual passengers on tour, regular dining hours were not being observed, so we missed dinner in the Lido. Oliver knew one of the dining managers and managed to find us a seat in the fully booked Canaletto, which was about to close. It ended up being my favorite meal so far on the entire trip.

As I always preferred the Odyssey Italian Restaurant to its fleetwide replacement, the Pinnacle Grill, I was so happy to have a full-scale gourmet Italian dining experience on HAL again. From the fresh, flaky bread with olive oil and balsamic vinegar to an antipasti selection, a crispy salad and a delicious linguini with mozzarella and mounds of fresh grated parmesan, I was satiated. And yet, I did manage to savor the multi-tiramisu dessert and pick at the cotton candy served at the tail end, missing neither surf nor turf in the process.


Erasmus Bridge.


Rotterdam cityscape over the magrodome.


Aft from forward Deck 12.


Twilit twins, ctd.

With the events winding down and a glowing twilight outside, it was time to grab the cameras for another romp about the ship.

July 1, 2008


Carnival CEO Mickey Arison and Holland America Line CEO Stein Kruse answer questions for the media.

I took advantage of "premature christening day consciousness" (thanks again, jet lag!) to get some more photos sorted and then awaited room service at 9:30. Who needs to leave the cabin with service like this? The only flaw was that I somehow got double orders on the eggs and no muesli. Oh well, what came was delicious...

Out on the balcony, the air was heavy and hot as I stared over at the Erasmus Bridge and a fresh crop of spectators lined up to gawk at EURODAM. How nice to see a city so keen on passenger ships!

It was time to don the dreaded suit and tie and head to a special press conference held by Carnival CEO Mickey Arison and HAL CEO Stein Kruse. I was pleasantly surprised by Mr. Arison's candor and openess about the current fuel and economic situations. Even though he acknowledged there are many challenges to face with a $700 million fuel cost increase over the past six months, I have a feeling if anyone is going to come out of this slump okay, it will be the nearly 90 ship strong Carnival empire.


All the ship's a stage!

I squeezed in lunch in the Lido and a quick workout before disembarking at 2:45 to get a decent spot in the press area alongside the bleachers. Fortunately, I was in the shade of the towering Port Authority building and thus spared the the UV and heat that most everyone was enduring in their Tuesday best. We paparazzi were instructed that once Queen Beatrix arrived, no one was to cross in front of or call out to her.


Inaugural EURODAM bell.

A shiny brass bell with the ship's name on it dominated center stage. Meanwhile, the front row filled with "A List" attendees such as Mickey Arison, Stein Kruse, Captain van Donselaar, Fincantieri CEO Corrado Antonini, Rick Meadows and their spouses, some of whom wore dainty hats. Just behind them, the likes of Frans Dingemans and Yran and Storbraaten sat with other top HAL brass.

An acapella quartet warmed up the gathering crowd.


The queen looks on.

When the springlike HM Juliana arrived wearing a lilac colored hat, floral blouse and lavender skirt, everyone stood before she took her place in the front row.


Drenching the bell in champagne.

The Dutch and U.S national anthems were performed and the ship was invoked by Reverend Mrs. Britt Aanes Ekhougen. The bell was blessed in champagne poured by Mariner Society Ambassadors, Dr. and Mrs. Johann Martin Schroder. Speeches from Captain van Donselaar and Corrado Antonini preceded the Opera Babes, who chirped Delibes' "Flower Duet" in dulcet harmony.


Escorting the queen.

Stein Kruse returned to introduce the Queen, who was escorted to the stage by Captain van Donselaar and Mickey Arison.


The bottle breaks!

"I name this ship EURODAM! May god bless EURODAM and all who sail in her." The queen rang the bell, releasing a magnum of champagne between the "R" and "O" on the ship's hull.


A ship is born!

As the whistle blew, confetti exploded into the air. The Queen and her entourage posed for photos before exiting the ceremony to board the EURODAM. Meanwhile, many of the press corps raced to the gangway and up to the midships pool area where the ship's officers gathered to greet the the Dutch royal.


Queen Beatrix chats with EURODAM's officers in the Lido area.

The jovial Queen began her meet-and-greet on the starboard forward side, working aft and back up the port side of the pool, stopping to talk to a number of officers and crew.


Queen Beatrix exits.

All in all, it was a delightful ceremony. The day was far from over, however, so I returned to the cabin to swap the suit and tie for the tux. I was assigned a seat at a table hosted by gregarious HAL rep, Mike Wein, in the Rembrandt Dining Room. Our group had a fun time and the food was good (another special menu bursting with lobster, scallops and beef, which I eschewed for a nice white asparagus soup and baked goat cheese lasagne) but the accoustics weren't and trying to talk over the din in the room was a formidable challenge.


The first flares drop over Rotterdam.


Funnels and fireworks.


Sparks over the Lido.

At 11:15, everyone gathered on deck to watch as fireworks lit up the sky off EURODAM's starboard side. Again, thousands of locals gathered on the bridge and the river banks to share in the spectacle.


MV EURODAM’s Silk Den Bar, facing forward.

A few of us capped the night off in the Silk Den Bar, my favorite new haunt on EURODAM, but I fizzled out like a firework over Rotterdam and floated down to 8177.

July 2, 2008


Tom Cassidy and Hans Hoffman at the ROTTERDAM Info Center.

There were no scheduled events on this fourth and final day of EURODAM's maiden Rotterdam call. Tom Cassidy (editor of OCEAN AND CRUISE NEWS) and I joined former SS ROTTERDAM chief officer Hans Hoffman (now a senior Rotterdam harbor pilot) on a mini-tour of Rotterdam. It would be great to spend time with these two avowed liner nuts and Hans' tour, of course, would be steeped in HAL history.


ROTTERDAM Infocenter.

Our first stop was the SS ROTTERDAM Infocenter. Admittedly, it was deliciously surreal to see the 1959-built liner painted on the side of a building on an otherwise ordinary street in Rotterdam's Katendrecht district.

Of all the vintage passenger ships in the world, the ROTTERDAM was the most original and deserving of restoration. In 1997, the ship was sold by HAL to Premier Cruises who renamed her REMBRANDT and basically left her "as is" until their financial collapse in 2000. REMBRANDT was laid up at Freeport, where she began to decay and came very close to being sold to Indian shipbreakers.

Largely because of the awareness raised by Klaas Krijnen of the SS ROTTERDAM Foundation, the ship was purchased by her original builders and towed to Gibraltar for repairs. Costs spiraled and the ship, renamed ROTTERDAM again, was sold to her present owners. She went from Gib to Cadiz, Spain, where she was given her original gray hulled paint scheme, then sent to Gdansk, Poland for the removal of her asbestos insulation. Once at Gdansk, the ship was sent away and ultimately was towed to Wilhelmshaven, Germany, where she has been completely stripped to the steel bulkheads and is now being reassembled. Her preservation will be one of the most comprehensive ever undertaken and already is one of the most costly at over $150 million and counting.


Original chairs and table from SS ROTTERDAM at ROTTERDAM Infocenter.

The ROTTERDAM's history is too long and rich to recount here but here is a time line of her post-HAL career up to 2005 as well as a tour of the ship as she was as REMBRANDT.

The ROTTERDAM Infocenter is a marvelous place with an abundance of information on the ship's building, transatlantic service and cruising career. What was most remarkable about ROTTERDAM all the way until her final sailing with HAL (and even with Premier as the slightly downgraded REMBRANDT) is that so much was never changed. Aside from the Lido Restaurant and some smaller spaces on forward Promenade Deck, she was an unadulterated midcentury Dutch masterpiece.


HAL architect Frans Dingeman’s intended redesign of SS ROTTERDAM’s Theater (later scrubbed, according to reliable sources).

Among the renderings on display are some shocking but thankfully now defunct views of a completely remodeled Theater and various other spaces made to look like a modern HAL cruise ship. What were they thinking?


HAL architect Frans Dingeman’s planned redesign of SS ROTTERDAM’s former Tourist Class Smoking Room (later Casino), since shelved.

The lovely Tourist Class Smoking Room was for a while going to be resurrected in the style of a modern HAL Pinnacle Grill. A less comprehensive restyling has since been settled upon. The one key lesson to be learned from the preserved QUEEN MARY in Long Beach is that all the modernizations (costly ones, at that) stand out like a sore thumb and age poorly as time marches on.

Of course, the ROTTERDAM will have to function as more than just a museum or perfectly preserved time capsule in order to be a success in her new role at Rotterdam, so reasonable changes are expected. Officers' spaces and Boat Deck cabins will make way for meeting rooms but key venues like the Ritz Carlton, Ambassador, First Class Smoking Room and Queen's Lounge will return (as much as possible) to their original configuration.


Mock cabin set up at ROTTERDAM Infocenter.

Some of the ROTTERDAM's cabins are being preserved with original furnishings to serve as hotel guest rooms.


Future home of SS ROTTERDAM (1959).


Uplifting future for SS ROTTERDAM.

From the Infocenter, we visited the quay at Katrendrect where SS ROTTERDAM will be permanently moored. The parking lot was under construction but the gangway infrastructures appeared to be ready for her arrival, now scheduled for early August. For more information, please go to SS ROTTERDAM


Newly reproduced “Gobelein” tapestries for SS ROTTERDAM and models of Dutch liners on display at Rotterdam’s Maritime Museum.

Hans took us to lunch near the Rotterdam Maritime Museum, our next stop. On display until they are placed on the SS ROTTERDAM, are the "Gobelein" tapestries, new versions drawn from the original plans and made by the same hands as those that were stolen from the former Tourist Class Smoking Room when the ship was at Freeport.

An hour in the museum went far too quickly to fully savor all the great exhibits, many of which include artifacts from Dutch liners like the 1938 NIEUW AMSTERDAM and ORANJE. There is a special HAL section and some stunning models as well as a vast research library. Click here for more info.

Time was closing in on us, so we made a quick exit into the rain and past the preserved line up of small merchant ships adjacent to the museum, then along the Rotterdam "walk of fame" with celebrity handprints in the tradition of Grauman's Chinese Theater in Hollywood (I found Jeroen Krabbe but where was Rene Soutendijk?) and, finally, back to the EURODAM.

Tot ziens and dankje to Hans for a wonderful day and hopes to see you (and the Hoffladies) again soon!


Waving to the Wilhelminakade.


EURODAM leaves Rotterdam for her “prelude” voyage.

A band was playing on the terminal terrace as Tom and I reboarded EURODAM.

After the ship's thorough boat drill (HAL takes these very seriously), I joined Oliver up on Deck 7 for the sail-away. The balcony was lined with revelers who waved, some in quite regal fashion, to the crowds below. The fireboat returned to give us a nice spray as we edged westward along the Maas and out to sea.

A deliciously simple evening followed the rain that drenched us on Forward Deck 5, including a refreshing workout and wonderful recap of dinner at Canaletto (this time with a window seat as the setting sun and clouds dueled over the North Sea) and repose in the Silk Den.

July 3, 2008.


First glimpses of Hamburg.

I had the usual room service at 9:30, then went topsides as EURODAM sailed up the Elbe toward Hamburg. Northern Europe seemed to be enveloped in mugginess, although the sheer heat from earlier in the week had quelled somewhat.

With Hamburg-based Oliver as tour guide, I enjoyed the scenery as the pretty city came into view, from its traditional fishing trawlers off the stern to the tree-lined neighborhood on the port side with its fancy homes and the sprawling Airbus facility starboard.


EURODAM to Hamburg.


Hamburg to EURODAM. Photo and copyright Ulrich Graumann 2008.


Hamburg to EURODAM up close. Blogger and Oliver Mueller are second and third from left under wheelhouse. Photo and copyright Ulrich Graumann 2008.

We approached the urban center, where Ulrich Graumann, who was kind enough to allow me to post his photos, captured our arrival from the Fish Market landing stage as a blue ferry neared our bow.


EURODAM to Hamburg, ctd.


Drydock #17.

The legendary Blohm and Voss shipyard was now on our starboard side, its Drydock #17 capable of accommodating the QM2. On the port side, was my intended afternoon destination, the preserved cargo liner CAP SAN DIEGO, tied up at the Overseas Landing Stage.


Hamburg Cafe Gnosa with MidCentury fittings.

Once EURODAM berthed at the new city terminal, HAL's ebullient Raymond Phillips joined Oliver and me on a tour of the city, stopping first at the very accommodating Midcentury/Art Deco styled Cafe Gnosa for lunch and a cappuccino. Oliver assures me the chairs and tables are not from a ship but they sure have the "look"!


Urban Hamburg Window With Bicycles.

We took a cab through Hamburg to Oliver's apartment, then a walk through the neighborhood to the commuter train, which took us to Ballindamstrasse (named for Albert Ballin) for a quick visit to the Ballin House, the formerHapag-Lloyd headquarters (sorry, no photos allowed) to stand under the famous "Mein Feld Ist Die Welt (My Neighborhood Is The World)" and peer in at the ballroom which immediately conjured up the splendorous interiors of Ballin ships like the early 20th Century liners IMPERATOR and VATERLAND.


Hamburg’s Rathaus.

Our rigid schedule included a visit to the Rathaus, the 1897-built Hamburg capital building whose 112 meter clock tower beacons over the city.


State meeting room, Hamburg Rathaus.


Festivity Hall of Hamburg’s Rathaus.

Although we were not scheduled for a guided tour, Oliver contacted a public relations representative who gave us a very quick look at the State Meeting Room and soaring Festivity Hall, the latter boasting splendid murals.


Rathaus from neighboring plaza.

We walked through the adjacent shopping plaza to another commuter train, exiting at the landing stage for my visit to CAP SAN DIEGO while Oliver and Raymond continued their tour of Hamburg.




MV CAP SAN DIEGO at Hamburg.

My first thought when laying eyes on the lovely 1962-built CAP SAN DIEGO was "NS SAVANNAH meets SS CANBERRA". A product of the same era, she, indeed, shares many of their streamlined architectural features.


CAP CANBERRA curve.

For a mere six euros, a visit to the ship is an absolute must. As new ships get less and less attractive, she is a reminder of a time when the architect's pen occasionally overruled practicality for the sake of beauty or concept.


Facing the CAP SAN DIEGO.

Surely, this rounded superstructure (very reminiscent of George Sharp's Delta liners of the late 1940s, AQUARAMA and the aborted APL triplets that were completed into 1950s troop ships) caused some logistical challenges but in the end, it was worth it!


CAP SAN DIEGO builder's plate.

Hats off to Hamburg architect Cesar Pannau for designing a beautiful ship, one of six (along with the now scrapped CAPs SAN ANTONIO, SAN AUGUSTIN, SAN LORENZO, SAN MARCO, and SAN NICHOLAS) that used to ply Hamburg Sud's South America route carrying general cargo and up to twelve lucky passengers. She was built by Hamburg's Deutsche Werft Yard (hull number 785) and measures 9,998 gt with a length of 159.4 meters and breadth of 21.47 meters. Far more info, including rates, can be found here.


CAP SAN DIEGO wheelhouse, facing port.

I didn't have much time but did my best to cover everything from shaft alley and the engine room to the cargo holds and top deck areas. When I reached the cafeteria, a very shrill employee screamed that she did not want to be in my video (I would liken her tenor to the hospital bed scream in Roman Polanski's "The Tenant"). Otherwise, I had a great visit and found the rest of the crew, especially the gentleman at the ticket booth, to be extremely accommodating.


Forward lounge, facing port, CAP SAN DIEGO.

On my next visit to Hamburg, I hope to stay in one of the ship's staterooms, relax and enjoy CAP SAN DIEGO's combi-liner ambiance of days gone by.




I made it back to EURODAM to attend a special party, which due to an evening downpour, had to be switched from the open air aft Lido to the midships Lido under the Magrodome. I've never fancied Magrodomes as they tend to create a hot house environment and in this case, the hot house was more like a steam bath. Still, it was great to mingle with many of the press group, including Tom Cassidy, Avid Cruiser's Ralph Grizzle and Geoff Edwards, Sea Trade Insider's ever delightful Anne Kalosh, and PP Group's Jeff Laign.

With an exotic, surfy/turfy buffet in the works, I snuck out to devour a salad at the Lido, making sure the greenery was out of my teeth by the time I remingled with the media.


Rainfire at Hamburg.

The City of Hamburg provided some wonderful fireworks despite the rain, so I grabbed the cameras and stood in the shelter of the bridge wing on Deck 7 to watch, ultimately ending up in the Silk Den as EURODAM pivoted down the Elbe and past one of my new favorite cities.

July 4, 2008


Umbrelladome.


Dessertdome.

The day began with some morning blogging, a cappuccino and Buffalo mozzarella with Oliver and Anne in the Crow's Nest and then HAL's extravagant Fourth Of July barbeque party under the Magrodome, now mercifully opened enough to let some air in. HAL really outdoes themselves with such events and this one did not disappoint with its murals of American iconography, fireworks umbrellas, and, most importantly, all the delicious, tempting morsels.


Mainstage dressing room.


Prop lobster.

Later, a few of us took a backstage tour, then I hit the gym for a final workout before some serious packing and cocktails in the Crow's Nest.


Vista VICTORIA off Copenhagen.

As we hugged the Danish coast, EURODAM's Vista cousin, Cunard's QUEEN VICTORIA, passed off our starboard side in perfect light. I had to settle for a candid shot of her through a Rembrandt Dining Room window. I thoroughly enjoyed my courses of ginger carrot soup, a very fresh Caesar salad, and spaghetti putanseca, although I once again had trouble hearing what was said over the room's din.


Starboard promenade, facing aft.


"Dreampark" on the Mainstage stage.

More packing, a romp around the ship, a quick visit to the Mainstage show ,"Dreampark", and then farewell follies with some delightfully twisted media types in the Silk Den wrapped up my Independence Day at sea.

July 5, 2008

Ooh, the heat! Did we arrive in Copehnagen or the Mojave Dessert this morning? The architecture, Pulmantur's EMPRESS (ex NORDIC EMPRESS, EMPRESS OF THE SEAS), MSC's LIRICA and Hapag-Lloyd's EUROPA indicated the former. A final breakfast on bed was followed by a quick exit, stage port, and off on a coach to Copehnagen's airport for the flights home.

EURODAM was now poised to begin her official maiden voyage and I think she's going to be a huge success!

Very special thanks: Rose Abello, Tom Cassidy, Martin Cox, Donita Dooley, Erik Elvejord, Andrew Gratt, Ulrich Graumann, Hans Hoffman, Klaas Krijnen, Oliver Mueller, Raymond Phillips

Sunday, 8 June 2008

Up A River Without A Paddle
Aboard COLUMBIA QUEEN
(Portland to Clarkston)
by Peter Knego

Uncommon Journeys

Steamboats.org -- A great source of news and information about river boats and steamboats around the world

Ocean Liner Fittings, Furniture and Art For Sale at MidShipCentury.com

Peter Knego Videos Link: ON THE ROAD TO ALANG and THE WORLD's PASSENGER FLEET, Volume Nine

Broken Blog: MV ANASTASIS At Alang, part one

Note: Click on images to view larger versions. All photos by and copyright Peter Knego 2008 unless otherwise noted.

Earlier this month, I joined Uncommon Journeys for a portion of their Portland, OR to Coeur d’Alene, ID trek on board Majestic America Line’s sweet little 150 passenger COLUMBIA QUEEN. Oakland, CA-based Uncommon Journeys offers wonderful package tours that often combine riverboats, trains, and deluxe (usually vintage) hotels, recalling a grander, more genteel era of travel. It is through this unique company that I have recently been able to enjoy a St. Louis to Cincinnati voyage on DELTA QUEEN, a Cincinnati to Pittsburgh voyage on AMERICAN QUEEN, and a rail/sea journey to and from Mexico’s Copper Canyon.


COLUMBIA QUEEN at Stevenson, WA.

The 1,599 gt COLUMBIA QUEEN was laid down as a casino boat (intended as a sister to the DETROIT PRINCESS, which operates on Lake Charles, LA) at the Leevac Shipyards of Jennings, LA. Only the hull and a portion of superstructure were completed when she was purchased by Delta Queen Steamboat Company and redesigned by the same architects (Jacksonville, Florida-based Rodney E. Lay) who built the spectacular Mississippi River boat, AMERICAN QUEEN.

The 218 by 56 foot COLUMBIA QUEEN was finished by Cascade General Shipyard at Portland, OR in 2000. She operated for two seasons before Delta Queen shut down in October of 2001 and was laid up until 2005 when she was purchased by Great American River Journeys. Unfortunately, the second venture was not a success and she was laid up again until finally sold to Ambassador’s International, parent company of Majestic America Line, for whom she has been sailing since April of 2007.

The ship is powered by four Cummins diesels that drive 2 fixed screws (1,200 bhp each) and 2 Schottel Z drives (900 bhp each) for a top speed of 13 knots and a normal cruising speed of 11 knots. The collapsible stacks are merely decorative and the exhaust is expelled from the fantail, underneath a series of water jets designed to keep smuts and fumes at bay.

Externally, the COLUMBIA QUEEN appears a bit stout when compared to her paddlewheel-equipped fleetmates but she is quite well designed from a passenger’s perspective. In this respect, she is like Celebrity Cruises’ MILLENNIUM class of ships where a degree of outer grace is sacrificed in favor of good passenger flow and pleasing internal appointments.


COLUMBIA QUEEN's Deck Four Category A Suite 401, facing forward.


COLUMBIA QUEEN, Back Porch, facing port.

She has four passenger decks, beginning at the top with Deck Four, which is almost fully encircled by a wide promenade that connects via wide stairs to the forward landing of Deck Three. Fourteen large cabins and the Back Porch lounge/buffet are located on Deck Four.


The Explorer Bar, facing port.

Deck Three starts with an open observation area, continuing inside with the Explorer Bar and twenty nine cabins.


COLUMBIA QUEEN Purser's Lobby, facing starboard.


Purser's Lobby, facing port.


Multnomah Falls down the stairs.


Category B balconied stateroom 329, facing port.

Deck Two also has an outside observation area, leading to the oval-shaped Purser’s Lobby with adjoining boutique and grand staircase leading down to Deck One, followed by thirty two cabins.

Passenger flow on COLUMBIA QUEEN is excellent, with two very wide staircases (forward/port links decks Two through Four and aft/starboard links decks One through Four) and a large elevator (connects decks One through Four).


Up the COLUMBIA QUEEN's grand staircase.


COLUMBIA QUEEN Astoria Room, facing forward.

Deck One begins midships with the Lewis and Clark lounge/bar which adjoins the Astoria Room, the ship’s combination restaurant and show room (loosely based on the DELTA QUEEN blueprint).


Orb over the Lobby.


CQ over the proscenium.


Totally random carpet shot.

The COLUMBIA QUEEN is handsomely appointed in mahogany tones, kitschy Tiffany-inspired lamps and chandeliers, pressed tin ceilings, frescoes depicting Columbia River scenery, velvet curtains and native American-inspired soft fittings. The overall look could be described as Victorian “light” with a hint of Lewis and Clark.


Tow away zone!

Saturday, June 7, 2008

Majestic America Line (MAL) berths its vessels at the hard-to-reach, unattractive Fred Devine Diving and Salvage Yard, located on Swan Island across the Willamette River from downtown Portland. The depressing industrial facility is a puzzling terminus, especially when there is a convenient and attractive cruise berth in downtown Portland, adjacent to the city’s many attractions.


Majestic America Line's QUEEN OF THE WEST (L) and COLUMBIA QUEEN (R) at Portland.

Although we had arranged to arrive at the vessel 45 minutes in advance to photograph various cabins and the public rooms, our taxi was late due to Rose Parade traffic and, despite the cab having GPS navigation, difficulty locating the terminal. No one on the boat was expecting us, anyway, so we boarded just as the coaches arrived and made quick work of documenting before the CQ filled with passengers. As most passengers would head to the Lewis and Clark Bar for their welcome on board glass of champagne, we began there.

MAL is in a tailspin and after two years of hemorrhaging financials, the company is negotiating to sell off its riverboat operations. Three of its five currently active boats (DELTA QUEEN, AMERICAN QUEEN, and EMPRESS OF THE NORTH) will be withdrawn from service this year, leaving just the COLUMBIA QUEEN and QUEEN OF THE WEST to forge along the Columbia River. In the interim, the MISSISSIPPI QUEEN has been completely gutted and now lays silent at a Louisiana shipyard while the catamaran CONTESSA sits tied up at the Fred Devine facility. It is a sad situation for the hard-working staff and crew on these charming boats and potentially represents the end of river cruising in American waters. What is remarkable, despite continued management and marketing blunders, is how good the service, cuisine and hospitality is aboard these vessels.

After completing the gist of the documentation, we went to the Back Porch, which to our pleasant surprise, has good cappuccino and coffee in addition to fruits, yogurts, soft serve ice cream and cookies. Boat drill came just before the 5:00 PM departure, basically entailing a safety announcement and donning the life jacket properly for our cabin stewardess to approve.


COLUMBIA QUEEN Cabin 210.

Once sequestered in my Deck Two cabin 210, one of twenty one 132 square foot category J insides, I took a quick moment to unpack. The stateroom had an extremely comfortable (and tall) queen sized bed, a mahogany veneered storage cabinet with flat screen television, two dressers and a very large bathroom with shower, toilet and sink. The soft fittings were attractively festooned in native Columbia River colors and patterns.


On the eve of her return: QUEEN OF THE WEST.


The 93 gt "Bare Boat" MV CONTESSA ((104 by 36.75 feet/48 passengers) at Portland, OR.


C4 on the Willamette River.

COLUMBIA QUEEN eased away from her berth, pivoting via pods and thrusters in a 180 degree circle, to glide past the QUEEN OF THE WEST (readying for a return to service following a galley fire), the lonely COUNTESS and into the Willamette River. We motored by the Cascade General shipyard and dry dock, where several vessels were being tended to. One, the USNS CAPE JACOB, was of particular interest with her C-4 “Mariner” hull lines reminiscent of the recently departed MONTEREY (ex FREE STATE MARINER).


Lowered stack.

We would have to leave our posts on deck as COLUMBIA QUEEN made her way toward downtown Portland and its scenic waterfront to attend first seating dinner. At the entrance to the Astoria Room, maitre’d, Mike Moe, greeted everyone with a handshake and smile before leading them to their seats. Normally, early (5:30) is the more popular of the two dinner seatings, so we were a little surprised when we requested main (7:00) and were told it was full. Nonetheless, Mike promised to do what he could but asked us in the interim to go with first seating that night.


Raspberry vinaigrette starter.


Breaded halibut entree.

Even from our middle of the room table, the view outside the picture windows was lovely with an early evening sun casting a golden sheen on the starboard side Willamette River scenery. Our waitress delivered a very pleasing selection of courses, from a marinated artichoke heart cocktail to field greens with hazelnut goat cheese and a raspberry vinaigrette to a highly caloric but delicious fresh halibut alyeska (in sour cream, gruyere and cheddar cheese with herbs and spices and topped in buttered bread crumbs). Compared to those on the Mississippi River boats, I found the bread pudding a bit dry and flavorless, so remedied it with a scoop of fresh vanilla ice cream.

By the time we returned to deck, the CQ had reached the Columbia River to begin her eastward journey toward the magnificent gorge. Every shade of green in the spectrum from the yellowish grasses by the river’s edge to the intense blue green pines on the hillsides, greeted us. As the sun finally dimmed over the stern, the high beam searchlights began their swirling trajectory over the bow.

At nine, we returned to the Astoria for the evening show, which was basically a welcome on board introduction of the staff by Kansas City based purser, Mel Drybread, and a quick musical interlude from the boat’s band. From there, it was up to the Explorer Bar, where pretty and talented songstress Kim Krohn took requests well into the evening.

At 10:00 PM, the CQ’s diesels had quieted down. We tied up at Washougal, Washington for the duration of the night so that we could enter the Gorge in daylight.


Basalt curtains.

Sunday, June 8, 2008

Maybe it was the bread pudding or the chocolate medallion on my pillow, but sleep was elusive for the entire night, making it all that much easier to get up in time for breakfast in the Astoria, a combination buffet set up with pancakes, waffles, fruits, breads and an omelete station (which thankfully uses fresh eggs and not the stuff in cartons). There is also a menu to order from and plenty of coffee and orange juice, served by the CQ’s friendly wait staff.


Hello, Gorge-ous!

Somehow, despite it being posted clearly in the program (between 7:00 and 8:00 AM), we missed Multnomah Falls, a stunning 620 foot ribbon of water plunging from the basalt cliffs into the Oregon side of the gorge. Nonetheless, the scenery that greeted us on deck was sufficiently magnificent. Towering cliffs, dense forests and swirling patches of fog rose all around us. We remained on deck as Discovery Guide Pat Workman told how the gorge was formed and pointed out various landmarks from the Back Porch.


Hello, Gorgeous, ctd.

It is theorized the Columbia Gorge was formed through a cataclysmic series of floods caused by the repeated collapse of an ice dam that formed Lake Missoula, a body of water stretching from Idaho into Montana. The gorge was the only route for the water to escape through the Cascade mountains into the sea, funneling thousand foot high walls of water that carved out huge sections of land.


Harlequin steps.


Facing the COLUMBIA QUEEN.


Bonneville, part one.


Bonneville, part two.


Bonneville from above.

In addition to the natural wonder of the gorge with its many waterfalls and rock formations, there are the locks, a series of eight dams along the Columbia and Snake Rivers that have enabled navigation 465 miles inland to Lewiston, Idaho. Our first encounter with a lock was the Bonneville, which has a 675 by 86 foot lock chamber that would lift us approximately 70 feet into the next section of the river.

At 11:00, it was back to the Astoria for a quick lunch, which included cheese soup and a chicken caesar salad with rice pudding for dessert.


COLUMBIA QUEEN at Stevenson, WA.


MAL coaches await in Stevenson, WA.


Van Gogh in the Gorge.


Floating feathers.


Hello, Gorge-ous!, ctd.

After passing under the cantilevered Bridge of the Gods, we tied up at the Washington town of Stevenson. At 12:15, we disembarked and boarded a bus (MAL owns three coaches that “follow” the boats up and down the river each night to provide the included excursions along the way) for a ride to the Columbia Gorge Discovery Center. Our driver, Lynne, was extremely knowledgeable and on the return, managed to safely navigate part of the old Oregon trail to get us up to a bluff overlooking the river on our return.


Passing barge.


Travel By Rail.


The Empire Builder passes.

We were back at the boat in the late afternoon, ready to continue our eastward journey. A note under the cabin door from Mike Moe told us we were switched to second seating, allowing more down time by the rail as the scenery passed by, some of it quite literally, in the form of dozens of trains hauling cargoes along both sides of the river.


MountainHood.

Just as I was stepping into the shower, there was an announcement from Mel on the PA alerting us to a splendid but fleeting view of Mt. Hood in five minutes. I immediately threw on some clothes and ran up to deck and waited with a small huddle of shutter bugs for the cylindrical volcano to appear from behind the Oregon town of Hood River. Although I was late to dinner, it was well worth having such a clear view of the beautiful mountain, which spends most of its time veiled in clouds formed by its own weather system.

Our tireless and ever smiling waiter, Gabriel, hails from Miami. He had just come from NCLA’s PRIDE OF HAWAI’I, and, before that, DISNEY MAGIC and an RCCL ship. He managed some four or five tables with finesse, seeming ease and a smile.

Impressively, Mike, the circulating maitre’d, greeted everyone by their name, a rather accomplished feat on any, let alone, just the second night of a cruise.


Kim Krohn takes requests.

Dinner included an excellent tomato and gorgonzola soup, a so so salad (similar to the prior night’s but a little wilted -- Gabriel was thankfully able to dig up some olive oil and balsamic vinegar to douse it with) and a lovely pan-seared salmon.

We returned to the Astoria at 9:00 for the show, River of Song, then up to circle the outer decks and peer in at Kim Krohn’s set in the Explorer Bar. Although we had only had one glass of wine the prior eve, the bar tender remembered exactly what it was and offered it again.

Night on the river is always splendid: in lieu of the big shows, discos and chocolate fountains of high seas cruise ships, one gets the constellations, a gentle breeze and the anticipation of what the search lights will illuminate around the next bend.


The tide is high and we're moving on....

Monday, June 10, 2008

After a quick breakfast in the Astoria, I was up on deck as COLUMBIA QUEEN attempted to tie up on the Oregon side of the river at Umatilla Landing. The three coaches awaited at what must have been the usual outcrop of land, but even with her long proboscis-like bow ramp, the CQ could not safely reach shore with the unusually high river tide this morning.


COLUMBIA QUEEN near Pendleton, OR.

The eastern Oregon and Washington scenery had changed dramatically from yesterday’s fjords and evergreens to golden plains, backed with occasional, distant rolling hills. We continued up river, finally securing a spot an hour or so later. The order of the day’s excursion would change a bit but all would still be seen.


Pendleton above ground.


Pendleton underground.

Once "encoached", we watched as the CQ hoisted up the gangway and prepared to sail to the junction of the Snake and Columbia Rivers where she would take on fresh water at Sacagawea State Park. We would meet her there after a most satisfying day, first portion spent at the former gold mining town of Pendleton, Oregon, known not only for its woolen shirts but for an infamous underground street that has in recent years been excavated. An excellent guide led us through a subterranean speakeasy, Chinese workers’ accommodation and an ice cream parlour.


Tree pees.


I'm Alive!: Northern Saw-Whet Owl.

Lunch with a native Indian dance at Hamley’s Saddle Shop and Saloon was provided. From Pendleton, we were driven through dramatic countryside to the Tamatsklit Cultural Center, an amazing museum dedicated to the Cayuse, Umatilla and Walla Walla tribes, telling the moving, if distressing story of how these people were displaced by European American settlers and yet maintained a connection to their culture and heritage. There is also a “raptor” room with rescued birds of prey from a huge golden eagle and horned owl to a diminutive Northern Saw-whet Owl.


Pendleton skies.


Twin Sisters.

We crossed more remarkable scenery, including farmland and a drive past butte-like formations on the edge of the river, before reaching the COLUMBIA QUEEN in the late afternoon. As soon as we re embarked, the COLUMBIA QUEEN hoisted her lines, blew her whistle and headed into the mouth of the Snake River, promising yet more remarkable, if arid, scenery to come.


Three Of Diamonds.


Four Of Spades.


Mouth of the Snake.


Searchlight on the Snake, One.


Searchlight on the Snake, Two.


Starboard.


Port.

Dinner was excellent, but the evening treat was to stay in our seats afterward as Nate Shafer and the Columbia Quartet performed “Stage Door Canteen”, a wonderful set of songs from the World War Two era. This is what riverboats are made for and the audience response was overwhelming. The dance floor stayed full until the last song was played and we headed up to see Kim Krohn once more before a last walk around deck and the somber task of packing.

Tuesday, June 11, 2008


Nez Perce trebesman and story teller, J.R. Spencer in the Astoria Room.

Catching up from the prior night’s bout with insomnia, I slept in until 9:00, missing proper breakfast in the Astoria. I took a late riser’s continental breakfast and cappuccino in the Back Porch as COLUMBIA QUEEN meandered along the rocky, windy corridor of the Snake River. It was raining lightly outside.

A wonderful morning treat was the presentation in the Astoria Lounge by Nez Perce tribesman, JR Spencer, who shared with us (with bits of humor sprinkled in) in prose and song some of his tribal legends and the story of the coyote people.


MV ISLAND SPIRIT at Clarkston, Washington.

At 11:00, we were alongside at Lewiston, Idaho, tied astern of the yacht-like river cruise boat, ISLAND SPIRIT. As we clambered off into our car for the drive through a snow flurry up to Spokane, Washington and our flights home, the rest of the COLUMBIA QUEEN’s passengers were off to the Hell’s Canyon jet boat tour while the Uncommon Journey's group was to spend a couple days in Cour d'Alene. Those continuing on the cruise would enjoy a day on the river, an excursion to Mt. St. Helen’s visitor’s center, and a day at Astoria before returning to Portland.

Many thanks to Uncommon Journeys, Christopher Kyte, and the dedicated crew of the COLUMBIA QUEEN!

Tuesday, 3 June 2008

Unload, Upload!
(Another Container Arrives In Moorpark)
by Peter Knego

Ocean Liner Fittings, Furniture and Art For Sale at MidShipCentury.com

Peter Knego Videos Link: ON THE ROAD TO ALANG and THE WORLD's PASSENGER FLEET, Volume Nine

Broken Blog: MV ANASTASIS At Alang, part one

Note: Click on images to view larger versions. All photos by and copyright Peter Knego 2008 unless otherwise noted.

Fourth Update: June 22, 2008:


Metal stairtower "bubble" railing from MV 33 ORIENTALES (later CITY OF RHODOS, QUEEN CONSTANTINA, etc.). There are two 'flat" strips that measure 94 inches long by 35.5 inches tall at $450 each and two angled strips that measure 72 inches long and 33 inches tall at $300 each. Note: Caprail will need to be added.


Weathered but potentially beautiful writing desk from RMS IVERNIA officer's quarters. Top opens outward to reveal small shelves. Needs some glue, screws, and a bit of veneer. $350 "as is". 33.5 inches wide by 42.5 inches tall and 20 inches deep.


Beautiful railing designed by Gustavo Pulitzer-Finale for Lloyd Triestino's VICTORIA of 1953. One strip measuring 79 inches long by 35 inches tall. Melamine covered wood frame topped with carved teak caprail and inset with anodized aluminum inner frame to support Murano glass fittings (not shown but safe and accounted for). Similar stairtower is on MS PHILIPPINES (ex AUGUSTUS) in Manila, otherwise, this is the last of its kind. $1,250.


Mahogany officer's dresser from Union-Castle Line's MV DUNNOTTAR CASTLE. 35.5 wide by 30 tall by 21 deep. Not for sale..


Deluxe sycamore dresser from Incres Line's MV VICTORIA of 1959 with stylized blue melamine top. Simply gorgeous! Left section is a large storage cabinet that opens from the top, presumably for life jackets. 69" long by 28.5 tall by 17.5 deep: $600.

In 100 degree heat, the amazing Shawn Dake and Bruce Lyons came up to assist with moving a large number of my recent acquisitions to storage. I had a chance to roughly photograph and measure some of the items before loading them on the truck. I hope to add everything that is available to www.midshipcentury.com after I return from my next writing assignment in July. In the interim, please e-mail me at pk@midshipcentury.com if you have questions about anything on this page.

Third Update: June 21, 2008:


The Funky Green Chairs From Outer Space? Vessel unknown. $550 pair. ***SOLD***


Last batch? Pulitzer by Cassina chairs from Incres Line's MV VICTORIA (1959). $250 each. Two left.


Lovely laminate wooden shelves from RMS IVERNIA. $75 each. Limited quantity. 16" wide by 8.5 tall by 7 deep (top).


Hammered copper panel. Danish? Vessel unknown. 39" wide by 19" tall. $400. ***SOLD***

Second Update: June 16, 2008:


"AUREOL Garden", an Alang installation featuring discarded chairs from the former Elder Dempster liner AUREOL.


A sofa, two matching chairs and a high back chair from the Danish ferry KONG FREDERIK IX of 1955. ***All SOLD except high back chair ($300)***


One of the "royal" wing back chairs from the private salon on board MV KONG FREDERIK IX. Last one: $750.00.


Beautiful teak door from the former RMS IVERNIAs Promenade. ***SOLD***


Beautiful closet doors to the captain's cabin on board MV ANASTASIS (ex Lloyd Triestino VICTORIA) of 1953.

Update: June 12, 2008:

Here are some things I have been able to uncover and catalogue that arrived in the most recent container. I will build full pages on www.midshipcentury.com for all of these things as well as some of the other items seen in the blogspot below (and more yet to be uncovered) as time permits. For now, this is a preview of what is available for sale on a first come, first served basis. Please e-mail me at pk@midshipcentury.com with any questions or if you want to reserve an item. All prices shown do not include shipping or 7.25% sales tax for California residents, only.


Glass and nickel plated sconces from SS PRINCIPE PERFEITO. 10 inches tall by 8 deep: $75.


Royal Olympic Cruise Line small plates. 6.5 inches wide: $5.50 each. MV STELLA OCEANIS, SS STELLA SOLARIS, SS APOLLON.


Royal Olympic Cruise Line creamers. 3.25 inches tall: $7.50 each. MV STELLA OCEANIS, SS STELLA SOLARIS, SS APOLLON.


Sun Line small plates. 6.5 and 7.5 inches: $7.50 each. MV STELLA OCEANIS, SS STELLA SOLARIS


Black Sea Steamship Company crockery. Large plate at 10 inches: $12.50 each; small plates at 6.5 inches: $7.50 each; saucer at 6 inches: $5.00 each; demi-tasse cups (1.5 inches tall by 2.5 wide -- very limited) at $10 each. MV ODESSA.


Epirotiki Line plates (two logo types): 6" wide at $7.50 each. MV ORPHEUS?


SS MONTEREY Aloha Pacific 10.5 inch bone china dinner plates made by Royal Doulton (very limited): $25 each. ***ONLY TWO LEFT***


New Marathon Cruise Line (Cypriot line that operated MV QUEEN CONSTANTINA -- ex 33 ORIENTALES/CITY OF RHODOS -- for one season in 2001 before 9-11 rendered them bankrupt) crockery. Wide assortment of quality crockery with handsome blue and green stripes and logo reminiscent of old Universal Studios: 16 by 9 inch serving plates ($15.00 each); 10 inch dinner plates ($10 each); 7.5 inch plates ($7.50 each); 2.5 by 5" inch napkin holders ($10 each); 8 inch bowls ($7.50 each); rectangular 6.5 inch side plate ($7.50 each); 5.5 tall by 7 inch wide tea pots ($17.50 each); 6 inch saucer (7.5 each); 2.5 tall by 3.5 inch wide tea cups (limited -- $8.5 each); 5.5 inch flower vase (limited -- $10 each); 3 inch tall salt and pepper shakers ($10 each); 3 inch tall glasses with logo etched in (limited -- $8.00 each).


P&O rising sun champagne bucket from the Latsis HENRIETTA and MARIANNA (former P&O STRATHS), later transferred to former RMMV AUREOL. 8.3 inches tall by 8 wide with knobs at 10.5 inches. Only two available. $150 each.


Original wood framed mirrors from MV VICTORIA/ANASTASIS (1953) cabins. 36 inches tall by 20 wide and 1.75 deep: $125 each.


Nickel plated sconces from MV VICTORIA/ANASTASIS (1953) Library and Writing Room. 9.5 inches long by 8.5 inches deep by 4 wide: $100 each. Very limited quantity.


Plastic and anodized aluminum light fixtures from MV VICTORIA/ANASTASIS (1953) public rooms, passageways. 16 inches in diameter/visible portion is 4" deep. Total depth, including back is 7": $95 each.


Terra cotta lamps from SS STELLA SOLARIS. Metal fixture included but not shown: $250 each -- SOLD OUT.


First Class Lounge chairs from RMS WINDSOR CASTLE. $225 each. ***SOLD OUT***


Bed frame set from first class cabins of MV VICTORIA/ANASTASIS (1953). Mahogany trim with satin or burled maple backboards and mahogany fronts. Not shown, but included are mahogany side boards. Measurements in inches are 34 by 34 by 2 (back) and 29 tall by 34 wide (front): $650 per complete set. ***SOLD OUT***


Ceiling sconces from MV VICTORIA/ANASTASIS public rooms and passageways. Anodized aluminum/brass. 7" diameter with fixture included: $75 each. ***SOLD OUT***


Solid, brass cone sconces from MV VICTORIA/ANASTASIS tourist class dining room, measuring (inches) 6 tall by 6.5 deep by 5 wide: $125 each.


MV ANASTASIS life jackets: $125 each.


Only two of these metal punkah louvres with Trieste imprints from MV VICTORIA/ANASTASIS (1953). One slightly dinged up: $95 each.

Day Four: Monday, May 26, 2008


Back yard: 26 May 2008. Photo and copyright Peter Knego 2008.

By the end of the fourth day, most of the maritime mountains had been sorted and freed of dusty jute or crumbling cardboard, much to the relief of a ravaged lawn. It will be several weeks before everything is cleaned, counted, and offered for sale on the MidShipCentury website, but here are a few tidbits I was able to document in the process. Please come back soon for an update and more images....


Crockery depot. Photo and copyright Peter Knego 2008.


Writing desk from RMS IVERNIA. Photo and copyright Peter Knego 2008.


RMS WINDSOR CASTLE first class stateroom chairs await the sponge and a good rinse. Photo and copyright Peter Knego 2008.


After Saarinen Executive Armchair. Photo and copyright Peter Knego 2008.


Chairs from RMS WINDSOR CASTLE first class lounge. Photo and copyright Peter Knego 2008.


Mysterious metal chairs. Photo and copyright Peter Knego 2008.

Day Three: Sunday, May 25, 2008


Back yard: 25 May 2008. Photo and copyright Peter Knego 2008.


Quilted maple pillars from VICTORIA/ANASTASIS forward lounge. Photo and copyright Peter Knego 2008.

Utilizing the space until today occupied by crates, there was an opportunity to dig into the jute-covered cargo to see some of the exquisite woodwork salvaged from VICTORIA/ ANASTASIS, including eight magnificent pillars of quilted maple from the forward lounge and burled walnut from the former first class verandah.

Day Two: Saturday, May 24, 2008


Back yard: 24 May 2008. Photo and copyright Peter Knego 2008.


Where old crates go to die. Photo and copyright Peter Knego 2008.

At 8:00 AM a forty yard container was delivered in front of the house (you can imagine I am very popular with the neighbors). Throughout the course of the day, it was filled with remnants of the crates, which had to be carefully deconstructed with all protruding nails flattened. There would be no time to sort or clean the mountains of materials today.

Day One: Friday, May 23, 2008

It's been almost two years since I took delivery of my prior container full of ship fittings from Alang. I've had the last few weeks to get reaccustomed to all the anxiety and anticipation a new arrival entails. First, there was the uncertainty as to which ship the container had been placed aboard and whether it was coming to California from India via Suez and Rotterdam to cross the Atlantic to the U.S on a second ship. or, as it turned out, sailing via Singapore and the Pacific.

The vessel, which had been finally identified as SOROE MAERSK, arrived in Los Angeles on May 16. Shipping bills had to be paid, detailed forms needed dispatching, and then U.S. Customs and Homeland Security inspections and clearance awaited. Daily calls were made until it was finally determined on Thursday, May 22, that the container was released and could be delivered to my home in Moorpark on Friday morning.


Waiting for Godot,or, perhaps, a container? Left to right: Tom Nicolai, Shawn Dake, Kyle Johnstone, Amy Blume. Photo and copyright Peter Knego 2008.


Container dream team, ctd.: Bruce Lyons, Scott MacDonald, Tom Chirby, Martin Cox. Photo and copyright Peter Knego 2008.

No less than eight wonderful, enthusiastic friends were "on call" to assist with the "discovery and unloading process" at 8:30 AM, when the monolithic mass was due in front of my otherwise unremarkable suburban home. Well after everyone was on their way from the far reaches of Los Angeles and Orange Counties, the phone rang at 8:15. It was Julia, the dispatcher, who told me to call the entire thing off. Mario, the truck driver, was stuck in a long queue at the terminal, waiting to attach the container to his rig. It would be at least three more hours before he would be able to drive the 75 or so miles to Moorpark.


First sighting: Rolling Up That Hill! Photo and copyright Peter Knego 2008.

Thankfully, our group had no problem chatting the time away until just before noon, when we felt an increasing rumble and took our positions.


Super Mario breaks the seal! Photo and copyright Peter Knego 2008.


Super Mario opens the door. Photo and copyright Peter Knego 2008.

In time-honored tradition, Mario (the driver who has delivered five out of six of my containers) backed his truck in front of my very understanding neighbor's driveway and parked. He wielded a special pair of cutters to snap through the metal and plastic security seals on the doors; otherwise, it takes a twenty minute frenzy of hack saws and hammers to break the contraptions. After ceremoniously handing the severed seals over, he swung open the two vast metal doors as an anxious audience awaited.


Pass The Pulitzer! Unloading a Cassina chair by design icon Gustavo Pulitzer-Finale from Incres Line's MV VICTORIA. Photo and copyright Martin Cox 2008.

The 40 foot high cube was packed to its last cubic inch. A wide dresser from SS STATENDAM of 1957, two huge brass circular ceiling fixtures from MV VICTORIA/ANASTASIS (1953) and four chairs by Cassina for Pulitzer from MV VICTORIA (1959) were the first visible objects. I climbed up a small step ladder to loosen the chairs and pass them on. Gradually, there was enough space for the workers to climb on board, untangle and unload a mountain of treasures from MV 33 ORIENTALES (1968), SS STELLA SOLARIS (1971), RMS IVERNIA/FRANCONIA (1955/1962), RMS WINDSOR CASTLE (1960), RMS TRANSVAAL CASTLE (1961), MV PRINSES PAOLA (1966), and more.


"Bubble" railing from MV 33 ORIENTALES (later CITY OF RHODOS) stairtower. Photo and copyright Peter Knego 2008.


Unloading.... Photo and copyright Martin Cox 2008.

Huge, heavy crates filled with a battalion of doors (some wooden, others brass or aluminum and glass) from MONTEREY (1956), IVERNIA (1955) and VICTORIA/ANASTASIS (1953) filled up the driveway. Some of us helped with the unloading as others pried the crates open, dusted the doors off, and stacked them in the garage. Chairs, tables, wood paneling and crates were dispatched to the back yard.


Tom Nicolai and Juanito with builder's plates from MV VICTORIA (1953) and PRINSES PAOLA (1966). Photo and copyright Martin Cox 2008.


Shawn Dake models PRINCIPE PERFEITO (1961) sconce couture. Photo and copyright Martin Cox 2008.


Scott MacDonald and solid bronze with acid-etched glass door from entrance foyer of MV VICTORIA/ANASTASIS (1953). Photo and copyright Martin Cox 2008.


Acid-etched door detail from VICTORIA/ANASTASIS (1953). Photo and copyright Martin Cox 2008.

Lawns on either side of the wide driveway were filled with treasures and debris under gloomy skies that thankfully did not deliver on their promise of rain that afternoon.


Terra cotta on terra firma: table lamp from SS STELLA SOLARIS (1971). Photo and copyright Martin Cox 2008.


Handling Matson history: SS MONTEREY door detail. Photo and copyright Martin Cox 2008.


MONTEREY in Moorpark. Photo and copyright Martin Cox 2008.


Mounds of Munro: cabinets from FRANCONIA (1962 -- foreground) and RMS WINDSOR CASTLE (1960 -- background) by British designer Jean Munro. Photo and copyright Martin Cox 2008.


Chair remnant from Elder Dempster Line's RMMV AUREOL, or, perhaps, a future Alang "installation" Contemporary Art component, as held by Kyle Johnstone. Photo and copyright Martin Cox 2008.


Uncertainty can often be followed by an IVERNIA Library cabinet. Photo and copyright Martin Cox 2008.

While most of the container was filled with items from recent Alang arrivals, namely the lovely 1953-built VICTORIA/ANASTASIS, there were treasures that missed prior containers from ships broken up three or four years prior, such as STELLA SOLARIS and IVERNIA/FRANCONIA. Finally, I had the Library cabinet to go with glass doors I took delivery of several containers ago, some long hidden light fixtures, and all sorts of crockery.


Shawn and Amy help with VICTORIA/ANASTASIS "oval window" door. Photo and copyright Martin Cox 2008.


Forward lounge door from VICTORIA/ANASTASIS with scalloped glass inset. Photo and copyright Martin Cox 2008.


Laying crates in the driveway. Photo and copyright Martin Cox 2008.


Unloaded! Photo and copyright Martin Cox 2008.

I may have gone overboard on doors with this alotment but VICTORIA/ANASTASIS had so many lovely ones to choose from!


Crystal crack from SS STELLA SOLARIS. Photo and copyright Martin Cox 2008.


VICTORIA/ANASTASIS cabin mirror epitaph. Photo and copyright Martin Cox 2008.


VICTORIA/ANASTASIS "key" door. Photo and copyright Martin Cox 2008.


Sideways: VICTORIA/ANASTASIS wood, lucite, and brass panel from forward dining room entryway. Photo and copyright Martin Cox 2008.

I never quite knew what the lucite panels at the entrance to the VICTORIA/ANASTASIS' dining room were for but they were too interesting to pass up.


Dyslexia from MV ODESSA's superstructure. Photo and copyright Martin Cox 2008.

Among the last things to come off some four hours after the container arrived, were the letters from the 1974-built MV ODESSA (ex COPENHAGEN).


Post traumatic living room disorder. Photo and copyright Peter Knego 2008.


Back yard: 23 May 2008. Photo and copyright Peter Knego 2008.

It's not just the garage and back yard that fill up when a container arrives. The living and dining rooms usually get the delicate things, such as light fixtures and the glass insets from VICTORIA/ANASTASIS' exquisite stairtower.


(Peter KnegO), D (Tom Nicolai), E (Martin Cox), (Shawn Dake), (Kyle JohnStone), A (Bruce Lyons). Photo and copyright Michael Masino 2008.

A better crew was never assembled, standing tall, if a bit sullied, at the end of a long day!

Very special thanks to: Bhagwan, Amy Blume, Tom Chirby, Martin Cox, Shawn Dake, Phil Fitter, Julia, Kyle Johnstone, Bruce Lyons, Scott MacDonald, Super Mario, Mike Masino, Tom Nicolai, Swift Freight, Kaushal Trivedi

Ocean Liner Fittings, Furniture and Art For Sale at MidShipCentury.com

Peter Knego Videos Link: ON THE ROAD TO ALANG and THE WORLD's PASSENGER FLEET, Volume Nine

Updated: July 4, 2009